The Use of Mozart

Helvetica is rightly deemed the typeface that best typifies modernism: it is bland and functional. Of its aesthetic qualities, others say otherwise:

The Helvetica Medium lower-case ‘a’ . . . is the most beautiful two-dimensional form ever designed. Its luxurious sensual curves are balanced by points of crisp tension. Its lovely counter makes me think of Mozart. [1]

The pretension is by-the-by, but what gets my goat is that the name of Mozart is doomed to suffer from its invocation by blighters wishing to impart the aura of aesthetic genius to ugliness and insipidity.

[1] Katherine McCoy, quoted by Ryan Bigge, “The Official Typeface of the 20th Century”, The Smart Set, 5th November 2007.

Fewtril no.231

History is no keen judge: the silliest affairs can become the profoundest events, and the weakest ideas the strongest currents.

Fewtril no.230

It is a cold head that counts upon opportunities to persuade itself and others that it is attached to a warm heart.

Fewtril no.229

Those who beheaded Louis XVI of France for the sake of a democratic republic probably did not consider that so clear a lesson and so direct a solution to the abuse of power could not thereafter be made so easily. To say the least: beheading the people and their representatives is a more difficult — not to say, more bloody — proposition.

Fewtril no.228

I’ll never fit in; I have trouble faking outrage.

Fewtril no.227

There is a terrible lot of straw men walking around — so why not attack them?

Fewtril no.226

Some might say we are blessed by political moralism, in that for every matter about which one might feel guilty, there are a thousand unconscionable ways in which one might feel absolved — so long as one remains an adherent. Yet even if one were to succumb to this graceless convenience, guilt would find its own way, attaching itself at last to one’s own existence and advantages.

Fewtril no.225

The madman’s flight from reality is dramatic compared to what is normal: a steady and sane retreat — most cunningly into a narrow study of some aspect of it by which the rest is blocked out.

V for Victimhood

Audism is “the hearing way of dominating, restructuring, and exercising authority over the deaf community” [1] and is “the most dramatic form of historical enactment of the enforcement of phonocentrism”. [2] At the appearance of yet another oppressed minority, one subject to the terrible and entrenched prejudices of phonocentrism and audism, it is only appropriate that we all make the effort to express ourselves in the little bit of sign-language that we all know.

.....
[1] Harlan Lane, The Mask of Benevolence: Disabling the Deaf Community (New York: Alfred Knopf, 1992), p.43; quoted by H-Dirksen Bauman, “Listening to Phonocentrism with Deaf Eyes: Derrida’s Mute Philosophy of (Sign) Language”, Essays in Philosophy, Vol. 9:1, January 2008.
[2] H-Dirksen Bauman, op. cit.

Rudolph the Valued Member of the Reindeer Community

“[I]nclusive school programming may allow children to perceive . . . reindeer such as Rudolph as a reindeer, not as a ‘red-nosed reindeer’.”

Susan Gately, “A Textual Deconstruction of Rudolph the Red-Nosed Reindeer: Utilitarian, Mechanistic, and Static Constructions of Disability in Society and in Schools” Essays in Philosophy, Vol. 9:1, January 2008, wherein we happily learn that “Rudolph eventually rejects the institutionalized notion that one with a red nose has no worth.”

Out of Sobriety

Apartheid — let us give thanks for a word as holy as it is useful in the defamation of all that is private, selective, and independent! For it is with due reverence that we can say today that schools “dedicated to excellence . . . [but] detached from the mainstream national education system” have created “the apartheid which has so dogged education and national life in Britain since the Second World War”. [1] If only we had known it was apartheid all these years! — then we would have done something about it: we would have gone on marches, had benefit concerts, bought posters and t-shirts, and done badly in our exams in solidarity with our state-educated brothers. As it was, we had forgotten “that our work in the sphere of education is part of the struggle for overthrowing the bourgeoisie” [2]; and, as it is, the realisation has come late, such that the situation is now dire:

Privately educated people dominate politics, the civil service, the judiciary, the armed forces, the City, the media, the arts, academia, the most prestigious professions — even, as we have seen, the Charity Commission. [3]

What is to be done? “[W]ho is prepared to fight the necessary class war?” [4] I tell you: there is nothing for it but to shut down these divisive schools, carpet-bomb Islington and Hampstead, and have the Home Counties placed under quarantine, a course of action that would be fully in accordance with our new-found sobriety.

.....

[1] Anthony Seldon, “Enough of this educational apartheid”, The Independent, 15th January 2007.

[2] V. I. Lenin, Speech at the First All-Russian Congress on Education, 28th August 1918, from V. I. Lenin, Collected Works, 4th English Ed., Vol. 28, tr. and ed. by G. Hanna (Moscow: Progress Publishers, 1966), pp.87, reproduced online at From Marx to Mao.

[3] George Monbiot, “Only class war on public schools can rid us of this unhinged ruling class”, The Guardian, 22nd January 2008. (Mr Monbiot is one amongst several privately educated people in the media who stands nobly and resolutely by his position in furtherance of the cause of putting an end to the dominance in the media of the privately educated.)
[4] Ibid.

From the BBC

I heard a BBC reporter call the British Council “scrupulously non-political”, a phrase which I must suppose has the sense of: prevailing left-liberalism indistinguishable from that of the BBC.

Fewtril #224

It is said that our age of machines and mass-movements discredits the whole ethos of chivalry as the useless relic of another age — such words wherefrom we learn that utilitarian minds do not reckon otherwise: that it is a lack of chivalry and the triumph of utility that discredits our age.

Fewtril #223

Art, we are told, must be accessible to all, as if it must serve the purpose and attain the status of a public convenience.

Fewtril #222

Those who deplore the stance of us-and-them adopt it towards those who laud it.

Further Decadence

HM Government has employed someone to tell us that Britain is about to undergo a “new Renaissance” that will produce “the greatest art yet created”. [1] Well, say what you like, but when our government tells jokes, it tells them well. (Speaking of jokes, is it not funny that we have a minister of state for culture in a land sincerely devoted to trash?) The present minister for culture, James Purnell, hopes for “the reclamation of excellence from its historic elitist undertones”. [2] On we go, comrades!

[1] Sir Brian McMaster, “Supporting Excellence in the Arts”, quoted by John Harris, “Britain on verge of ‘new Renaissance’, minister claims”, The Guardian, 5th January, 2008.

[2] Quoted by John Harris, ibid.