Kirsten Harms, the director of the Deutsche Oper, has decided to cancel performances of Mozart’s Idomeneo, lest Muslims be offended at a scene in which the King of Crete holds aloft the decapitated heads of Poseidon, Jesus, Buddha and Mohammad. Frau Harms proceeds on the fairly safe assumption that any offence that may be taken is unlikely to end in pagans running riot, Christians menacing directors, or Buddhists firing Kalashnikovs into the air in a ritual of practiced malevolence. According to the Frankfurter Allgemeine Zeitung,
The decision is based on a general threat-analysis by the State Office of Criminal Investigation, not on threats against Charlottenburger Haus in general or the production in particular. [1]
In other words, before the Mohammedans have even had the time to whet their knives or sharpen their damnations, the poltroons of the West are grovelling for their pardon. No specific threat is required. The mere presence of the Mohammedans is felt to be enough. A similar thing happened last year, when Marlowe’s Tamburlaine the Great was expurgated of remarks and scenes derogatory of Mohammed. [2] Signs of things to come, perhaps. [3]
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[1] “Schäuble wünscht sich ‘deutsche Muslime’”, Frankfurter Allgemeine Zeitung, 27th September 2006. [“Der Entschluß basiert auf einer allgemeinen Gefährdungsanalyse des Landeskriminalamts, nicht auf Drohungen gegen das Charlottenburger Haus im allgemeinen oder die Inszenierung im besonderen.”]
[2] See Dalya Alberge, “Marlowe’s Koran-burning hero is censored to avoid Muslim anger”, The Times, 24th November 2005.
[3] Update: In the end, the unexpurgated production went ahead, along with “airport-style security checks”, while “plainclothes police mingled with the audience”, and “[d]og teams checked out the aisles and foil sheets were stuck to windows in order to make them shatterproof.” Roger Boyes, “A fright at the opera: champions of Mozart brave cultural divide”, The Times, 19th December 2006.
6 comments:
The doctrine of pre-emption triumphs again.
How did these decapitations get into Idomenmeo in the first place? They are not in the only version I know.
And we want the moderate Muslims to win over their autocratic governments and fundamentalist groups in the Arab world
There seem to be two issues: whether the work of art is of merit and whether the work of art is likely to offend Muslims.
It is dangerous to say that we ought to allow offence if the work of art meets some kind of merit criteria, but not if it falls short. Is the artistic merit of "Piss Christ" or the collected works of Marilyn Manson" high enough to outway the offense caused? Who is to decide if it is good enough?
I don't think that we ought to conflate the issues. The same argument was used in the cases of "Submission" and the Danish cartoons. I think it provided a bogus cover to people who were unable to come right out and excuse the curtailment of free speech. Posterity should decide what has merit or not, and not some safety committee.
I particular find weak the contention that moderate Muslims are going to be won over if we do what the extremists want. You don't win respect by seeking to prostrate yourself.
Rachel Corrie
One theatre not showing a play does not amount to censorship nor even fear of reprisals, particularly when that same show is currently running in several other locations within the western world and is due to start in New York in October. The New York Theatre Workshop is famed for producing left wing agitprop works that strongly criticise the government and the west. At the time the theatre director asked for a delay but before he got a reply, Alan Rickman appeared in the press denouncing censorship. This was repeated by the New York Times, Guardian, Daily Kos et al. This seems to me to be a complete overreaction that morphed into a conspiracy theory. I have seen no evidence of Jewish threats. Why is it that Jews are assumed to have some special power to control events that is unavailable or unused by everyone else?
And if Jews really did have the control they are accused of, please explain why we see no plays showing Rachel Corrie as a tool of Hamas?
"How did these decapitations get into Idomenmeo in the first place? They are not in the only version I know."
Later additions, apparently.
To win the war on terrorism, we need to have moderate Muslims on our side...
Right. Getting both those guys on board will certainly help.
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